With
audiences increasingly consuming bite-sized content on their smartphones,
vertical web series are creating exciting opportunities for actors to
experiment with diverse roles while reaching a new generation of viewers. In
this exclusive conversation, Usha
Bachani shares what drew her to the format, why she enjoys
playing complex negative characters, how acting for vertical content differs
from traditional television, and why she believes this emerging medium is here
to stay.
The Interview:
What attracted you to the world of vertical web series, and
how does working in this format differ from traditional web series or
television?
The
biggest attraction was that the format is quick, the remuneration is good, and
there are no long block dates. You wrap up a project in just a few days, which
also gives you the opportunity to play a variety of characters. The
storytelling format is essentially the same as television or web series, but
the pace of work is much faster and more dynamic.
Do share some details about the vertical web series you have
worked in.
I've
been working extensively with Shakeb
Sayed Studioz, and many of the projects are associated with Balaji. Since I genuinely
enjoy playing negative characters, I'm usually offered those roles. Some of the
vertical web series I've been a part of include Nakli Pati and Pehle Ishq Phir Badla, and each project has
allowed me to explore different shades of grey.
Since every second matters in a vertical series, how does the
acting process change when you have to establish emotions, character, and
conflict in such short episodes?
The
scenes are much shorter, so in many ways they become easier to perform. The
emotional impact doesn't get affected because you still approach the character
with the same sincerity. Personally, I don't find it very different from
working in daily soaps, except that everything moves at a much quicker pace.
Vertical content is often described as fast-paced and binge-worthy. As an actor, how do you maintain emotional depth while keeping the storytelling engaging within a limited runtime?
For
me, emotional depth is never about screen time—it's about honesty. Even within
a limited runtime, I focus on the character's emotional journey and use
expressions, pauses, and genuine reactions to make every moment meaningful and
engaging for the audience.
How does the filming process for a vertical web series differ
from traditional horizontal productions in terms of camera framing, blocking,
and performance?
Honestly,
I don't see a major difference. Most shoots follow the familiar three-camera
setup, and the scenes are filmed much like they are for daily soaps. The only
noticeable change is the speed at which everything is executed.
Social media has changed the way audiences consume entertainment. Do you think vertical web series represent the future of digital storytelling, or will they complement existing formats rather than replace them?
I
believe vertical web series are definitely the future of mobile entertainment,
but they won't replace traditional films or long-form web series. Instead,
they'll complement existing formats by offering quick, engaging stories that
suit today's fast-paced viewing habits. As an actor, I see this as an exciting
platform that opens up many new creative opportunities.
What advice would you give to aspiring actors who want to explore opportunities in vertical web series, and what unique skills should they focus on developing?
My
biggest advice is not to waste time. Vertical web series move at a very fast
pace, so you need to be extremely prepared. Know your lines, be quick with your
performances, and be ready to adapt because speed and efficiency are just as
important as good acting.
As an actor, do you feel restricted to being slotted in grey-shaded
roles? When do we get to see you in a comedy avatar?
Actually,
I'm the one who chose to be slotted in these roles. When I started acting, most
female actors wanted to play positive characters, but I was the only one
actively looking for negative roles. Even today, I absolutely love portraying
grey and negative characters because they're layered, unpredictable, and
emotionally complex. They constantly challenge me as an actor and allow me to
explore different shades of human nature, which is creatively very fulfilling.
That said, if the right comedy comes along, I'd be more than happy to surprise
the audience with a completely different side of myself.




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